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One thing that strikes me about the fiction of the Inklings (C.S. Lewis, Charles Williams and J.R.R. Tolkien et al) is that they are often enjoyed by Christians and neopagans alike. These three authors, and perhaps others who write in similar genres, may provide a way for Christians and pagans to communicate with each other without such hostility.
Lewis, Tolkien and Williams were Christians, and I am a Christian, so what I say here, I say from a Christian point of view, and I am mainly addressing my fellow Christians. That doesn't mean that I don't want neopagans or others to read this document. Anyone who is interested in the topic is welcome to do so. It's just that I don't advocate a neopagan viewpoint here, and nor do I pretend to a neutral "objectivity". So if you are a neopagan, you'll probably disagree with a lot of what I say. A lot of Christians might disagree with it too.
Much of the hostility I have seen in electronic discussions arises from ignorance. Christians and neopagans do not so much attack each other as they attack caricatures of each other. And when they really get into the swing of the attack, they sometimes start behaving like the caricatures too. I believe the writings of the Inklings can go a long way towards removing the caricatures.
Tolkien's Lord of the rings is probably the best-known and most widely read of the Inklings' works. In the rec.arts.books.tolkien newsgroup, there are periodic discussions on whether it is a Christian book or not. Christians often claim that it is, whereas non-Christians often claim that is is a "pagan" book. The elements of pagan mythology are plain to see, whereas there are none of the externally-recognisable elements of Christian "religion". The characters don't read the Bible, they don't go to church, and Christ is never mentioned. There isn't even a recognisable Christ-figure, like Aslan in the Narnian books, to provide a reference point.
It is also fairly well known, at least among Inklings fans, that there was some disagreement on this point between Tolkien and Lewis. Tolkien disliked allegory, and said that he regarded the Christianity in Lewis's books as too explicit. Some neopagans also find the Christianity in Lewis's books too explicit, and avoid them for that reason. Others enjoy them, and either ignore the Christian references, or regard them as another "path" that they themselves do not need to take, though they acknowledge that it may have been legitimate for Lewis and others.
Lewis's books might be a good starting point, however, precisely because they are most explicitly Christian. Even though this is so, one could also say much the same of them as many have said of The lord of the rings - there are no church services or Christian ministers, or any other religious activities. There is no religion in them. But there is quite a lot of pagan material in them.
Consider, for example, C.S. Lewis's The lion, the witch and the wardrobe. A child from the normal everyday world hides in a wardrobe during a game, and finds herself transported by magic into another world, where she has tea with a faun, a figure from ancient Roman pagan mythology. A faun is half human, half goat, and the encounter is an introduction to a world of intelligent talking animals - beavers with sewing machines and the like. Lewis has no hesitation in blending Christian and pagan mythology in his Narnian books. There is even salvation. Salvation is at the centre of the plot of the book, but one would have to look hard to find it attributed to any religion at all, Christian or pagan.
Of course Lewis was known as a Christian, and his conception of salvation is a Christian one, but in this particular book he does not deal with what seems to be the central question for many Western Christian "theologians of religion" - the question whether there is salvation in "other" religions.
The next book in the Narnian series, Prince Caspian, is even more populated with pagan deities - Bacchus and Silenus, nymphs and Maenads, and even a river god. Lewis does not identify these with the forces of evil - they are not "satanic", as many Christians seem to think pagan deities ought to be (and many neopagans think that Christians think neopagans' deities are). They are rather part of the army of liberation, and are themselves liberated from the powers of evil in the course of the story.
One could give more examples from the other books in the series, but the picture one gets from all of these is far removed from some of the common Western perceptions of the Christian attitude towards paganism and pagan deities, whether seen from the point of view of Christians or of neopagans. That is, the perception that Christianty and neopaganism are, and perhaps ought to be, hostile to each other.
This hostility was not always around
Back in the early 1970s a group of us were trying to set up a Christian commune in Windhoek, Namibia. We made contact with other groups with similar interests, largely through an exchange of underground magazines in something called The Cosmic Circuit (a kind of hard-copy Webring). One magazine dealing with communes was produced by a neopagan group in Wales, and was edited by Tony Kelly of the Selene Community there. We also got into correspondence, and sent them our Christian magazine Ikon in exchange for their publication Communes. They also sent us a few copies of their neopagan magazine The Waxing Moon. There was no hostility that I could discern. The people who published The Waxing Moon appeared to want to revive the pre-Christian nature religions of north-western Europe. It seemed to be part of a wider "back-to-nature" movement, a reaction against the urban-industrial society of the 20th century with its wars and political systems.
Then we lost contact. Our community in Windhoek was broken up by deportation and banning, and we went our separate ways and got involved in other things. In the 1990s I once again came into contact with neopagans, mainly through electronic computer links, such as bulletin board conferences and reading Web pages put up by neopagans. The bulletin board conferences were more informative, because they were more interactive. But there seemed to be differences from my experience of 20 years earlier. There was a hostility and suspicion that I had not noticed before. It also seemed that where there was this hostility, there was also a lack of communication. Christians and neopagans did not so much attack each other as attack caricatures of each other. The electronic media made it possible for people who might otherwise never meet to talk to each other, but when they did, they failed to communicate and just talked past each other.
One difference, which may be significant, is that the neopagans we were in touch with in the 1970s were in Britain. Most of those I encountered in the 1990s were American. And some Americans, at least, seem to get a lot more aggressive and bitter about things, and to divde the world into "good guys" and "bad guys".
But what I think may be even more significant is the time. I got the impression (which could be mistaken) that the neopagans of the 1970s were engaged in a search for spiritual values in reaction against secular modernity. They failed to find those values in Christianity, because Christians had sold out to secular modernity. The most influential Christian books at the time were all about how the Christian church must come to terms with modernity and secular values: The secular meaning of the gospel (van Buren), The secular city (Cox) and Honest to God (Robinson) are a few of the better-known ones. Anyone looking for spiritual values at such a time would have been hard-put to find them in the Christian churches of the West. While Christian theologians were saying how difficult it was for "modern man" to believe in the resurrection of Jesus, the youth were marching in the streets in their thousands with posters proclaiming that "Che Guevara lives" and "Chairman Mao will live for 10000 years". The theologians who were trying to address the "with it" generation were quite obviously "without it".
In the 1990s, however I get a different impression (which could also be mistaken) - that many people who have turned to neopaganism in the 1990s have reacted not against secular values, but against religious ones, and those religious values were those of Christianity, or, perhaps more accurately, those which American sociologists have called "Judeo-Christian" when trying to describe the middle ground of US culture. The difference between American neopagans of the 1990s and British ones of the 1970s is that the former are rebelling against a "Judeo-Christian" upbringing, whereas the latter were rebelling against secular materialism, and could therefore more easily find common ground with Christians who were rebelling against the same things. Those who are rebelling against a "Judeo-Christian" upbringing might on that account be inclined to be hostile towards Christianity.
By the end of the decade, however, a reaction had set in. The charismatic renewal had become institutionalised and domesticated in a kind of Protestant neo-scholasticism. A thousand loose-cannon prophets receiving direct revelations from the Holy Spirit (so they said) found that these revelations seemed to concern all the other groups and teachings but theirs, and began calling on the faithful to "Come out of Babylon" and join their particular version of the New Jerusalem. The denunciations became stronger, and the tolerance of deviation less, and euphoria of the 1970s led to the hangover of the 1980s, which some called "charismatic burn-out". The miracle and the mystery had been swallowed up in a sterile intellectual rigidity.
Having observed this process among Western Christians, I am a little disturbed by signs of something similar beginning to happen among Orthodox Christians in the West, only three decades behind the Protestants and Roman Catholics. There seems to be an idea going around that Orthodox Christianity must be inculturated in the West by having clean-shaven clergy in business suits, with pews and microphones and musical instruments in the churches. Orthodoxy could be beginning its own sell-out to secular Western culture. Not entirely, though. Groups such as the Youth of the Apocalypse, with their slogan of "Death to the World", affirming the counter-cultural character of Orthodoxy, might provide a counter weight.
So much for the background (as I see it) to the hostility between many Christians and many neopagans. What does the fantasy literature of people like Lewis, Tolkien and Williams have to do with it?
In the 1960s Lewis and Williams's fiction was reprinted in paperback, and so became more accessible. Tolkien's Lord of the rings was reprinted in 1966, and enjoyed a new popularity. Until then, Lewis had been widely known as the author of popular works of Christian apologetics. In a smaller, more specialised circle, he was known as the author of some works of literary criticism. Williams continued to be known mainly by a fairly small circle of enthusiasts. All three writers based their work, mainly or in part, on premodern myths and legends.
At the same time as professional theologians were writing works extolling the virtues of modernity, of the modern world-view or "paradigm", and calling for Christianity to be "demythologised", these authors were in effect reaffiming the value of myth. At the same time as the publication of Robinson's Honest to God, which caused such a stir in the West, J.V. Taylor published The primal vision. Both Taylor's and Robinson's books were discussed at conferences of the Anglican Students Federation of South Africa, and their somewhat incompatible messages seemed to cancel one another out. Demythology was very trendy, but Taylor included in his book a quote from Nicolas Berdyaev, who pointed out that "myth is a reality immeasurably greater than concept".
But the best means of communicating the value of myth is myth itself. The primal vision is almost forgotten, but the demand for the works of the Inklings has grown over the last 30 years.
I've already mentioned the appearance of pagan themes in Lewis's Narnian books, and have discussed the appearance of some of these themes in his Cosmic trilogy, and especially Out of the silent planet on another page. The third novel in the trilogy, That hideous strength, comes closer to the writings of Charles Williams. It has been described as Lewis's attempt to write a novel in the style of Williams. Like Williams's novels, and unlike the other two in the trilogy, or the Narnian books, the setting is this world, rather than an imaginary one, or a setting on other planets.
In That hideous strength spiritual powers manifest themselves in this world - the ancient Greek and Roman deities, who are also the planetary rulers, show themselves in human society, and, in alliance with a revived Merlin of the Arthurian legends, confound the powers of evil. The Arthurian theme has echoes of Williams's poetry in particular. It has echoes in the children's novels of Peter Dickinson, who wrote of a revived Merlin whose awaking provoked an atavistic fear of modern technology among the inhabitants of Britain.
Alan Garner, whose children's novels The weirdstone of Brisingamen and The moon of Gomrath were first published in the 1960s, wrote of a wizard, Cadellin Silverbrow, who is guarding a company of sleeping knights, who are threatened by the evil power of the Morrigan and Nastrond. The sleeping knights are to waken when Britain is in extreme peril.
The return of a half-forgotten power from a mythical past to battle an evil in the present is common to That hideous strength and the works of Garner. Lewis uses Graeco-Roman mythology in developing the characteristics of the planetary rulers, and also uses Romano-British mythology and folklore for the idea of a revived Merlin. Garner uses Celtic, Anglo-Saxon and modern folklore - the idea of the "old straight track", for example, which he uses in The moon of Gomrath is a recent one.
Unlike Lewis, Garner's books do not have many clearly-identifiable Christian elements. Yet for Christians, Garner's books are as enjoyable as Tolkien's. Neopagans have sometimes recommended Garner's books as an introduction to a pagan worldview and pagan values for children. I believe that the attraction of these books could offer a key to understanding the common ground shared by Christians and neopagans, and also the differences between them.
One of the attractions for Christians is a struggle between good and evil powers, which is a central feature of the Christian worldview. In That hideous strength Lewis asserts Christian, liberal and democratic values against those of a fascist technocracy, and suggests that the latter are part of a satanic cosmic plot. This happens at several levels. For the modern worldview, nature and politics need to be demythologized (see Harvey Cox, The secular city. Lewis effectively remythologizes them. For the early Christians (and for most of their contemporaries) political and spiritual power were inseparable. The emperor cult, which Christians refused to participate in, bore witness to this. Lewis shows how this power operates in a modern setting.
In Garner's books the struggles are for the possession of the symbols of power - the weirdstone of Brisingamen itself, for example. But there is the same struggle between the forces of good and the forces of evil.
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This article isn't finished yet - I'll be making some additions and changes, so please book mark it for a return visit if you are interested in the topic. You might also be interested in an article on Christian responses to witchcraft and sorcery
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